![]() |
|
|
|
Photography and EthicsAn exploration of some issues relating to photography, ethics and my own practice.page four Applying ethical principles to photographs - two examples Warning: the images linked to from this page are distressing to look at. "Pictures usually have more impact on people than written words. Their capacity to shock exceeds that of language" Eugene Goodwin, Groping for Ethics (1983) In 1985, Frank Fournier photographed Omayra Sanchez a 13 year old girl who was trapped in debris following a volcano eruption in Colombia. The child could not be rescued, and eventually died of exposure. Fournier won a World Press Photo Award for his image of the girl, taken just hours before she died. In an interview following the award, Fournier explained his position thus:
Which philosophical principles might Fournier have been applying when he took the decision to photograph the little girl rather than roll up his sleeves and dig her out? He was almost certainly adopting a Utilitarianism approach - that is to say that reporting the loss of this life will be to the benefit of the greater good in the long run. (Indeed, much money was raised for the relief effort following television and newspaper reports of the disaster.) What is less certain is whether Fournier was operating under a Categorical Imperative: if, as could be argued, reporting the news is a universal duty, then his action was justified. If, on the other hand, the right to dignity and privacy at the time of death is considered a categorical imperative, then, unable to help, he should have looked away. There are many similar examples. In 1975 Stanley Forman took a photograph of Diana Bryant falling from the collapsed fire escape of her apartment, her infant daughter close behind her in descent. There was a public outcry, but as a direct result of of his image, fire safety regulations in the city were reviewed and legislation tightened up. Forman said of the incident:
Forman was apparently not disturbed by the fact that he took a photograph of a woman about to die. For him, Hedonism may well have been the driving factor: the potential scoop, the possibility of international acclaim. He almost certainly felt that there was operating under a Categorical Imperative to shoot regardless of any sense of good taste and decency. By disregarding the woman's right to privacy as she fell to her death, Forman gave the world a powerful and evocative image which at the same time panders to voyeurism and yet raises awareness of important fire safety issues.
References: Goodwin, E. Groping for Ethics Iowa State University Press 1983 |
|
(C) Helen Williams 2005 |